100MASTERS
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100 MASTERS · BRUSSELS

Read a building as part of the collection

A façade is a beginning, not the whole experience. Compare how a building organises movement and how its history is presented.

Start at the threshold

Notice what the entrance makes you do: pause, climb, turn or look up. Describe the effect before naming a style. A route through a house depends on permitted access, not a floor plan copied from an old publication.

Follow daylight and structure

Compare the Horta Museum with the Autrique House using light, stairs and materials. Sketch a direction rather than touching a surface. Separate original construction, restoration and the museum’s present scenography in your notes.

An urban building carries several times

The Maison du Roi’s nineteenth-century appearance and its older site history belong together but are not the same date. The French and Dutch names help ask which history each remembers.

Make a comparison sheet

Use three columns: observable feature, museum explanation, open question. After two buildings, underline an idea that changed. Check reservations and mobility needs independently for each location; a common architect does not imply common visitor rules.

Notice → compare → understand
Original editorial diagram. A reading aid, not a reproduction or technical drawing of the object.
  1. Street — Begin with the building’s public face.
  2. Threshold — Notice the change from outside to inside.
  3. Interior — Follow a permitted route through rooms.
  4. Light — Compare illumination and materials.

Keep exploring

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